Tournament: NDT | Round: 2 | Opponent: Harvard HT | Judge: Lauzon, Meiches, Woodruff
The plan is in STANDARD ENGLISH. This is not "racially neutral" – it is WHITE in a way that we can decode
Shangol 9 http://blackademics.org/2009/09/27/code-switching-identity-performance-the-politics-of-talking-black/-http://blackademics.org/2009/09/27/code-switching-identity-performance-the-politics-of-talking-black/lokun Shangol Olugbala, better known by his performance name of D. Noble, is a nationally renown poet/spoken-word artist that believes poetry and all art possess the potential to birth and nurture progressive change. Noble’s work is spiritually rooted and primarily explores the complex nuances of the Black experience and their larger social, political and economic implications. Besides writing poetry, essays and publishing in independent periodicals, D. Noble is also an avid reader. He plans to transform his studies/practices of cultural nationalism, critical reading and writing into a permanent career as a higher learning professor, teaching and lecturing on/about African American literature. He is currently working on his Masters of Arts (MA) in African American Literature at North Carolina A%26T State University and will pursue his doctorate once he has achieved his MA. D. Noble is affiliated with the performing arts collective, Righteous A.I.M. and can be experienced featuring with them or by himself at numerous venues all along the East Coast. He has been invited to perform and facilitate residencies, lectures and workshops at numerous universities, high schools, middle schools, churches, mosques and other grassroots community events and initiatives. D. Noble has shared stages with other nationally renown, HBO Def Poets: Terry Creech, Malik Salaam, Amir Sulaiman, Butta Fly Soul and Black Ice. Past performance highlights include opening up for KRS ONE, Floetry, The Last Poets and Kanye West. D. Noble has performed three times at the National Black Theatre Festival with the Cosby’s Show Malcolm Jamal Warner and HBO Def Poet, Helena D. Lewis. He has had the prestigious honors of being invited to perform at the fifth annual National Historically Black College %26 University Think Tank Symposium hosted at North Carolina A%26T State University in Greensboro, NC; performing at the 20 Year Anniversary of the MOVE bombing and Free Mumia Rally in Philadelphia, PA; and being a featured artist alongside bestselling and award winning authors, Patrice Gaines
The plan is NUCLEAR ENGLISH – a supposedly CULTURE FREE LANGUAGE that ultimately aims to STAMP OUT accenting and inflection. This ideology of assimilative "neutral speak" is part and parcel of global imperialism
Apter 01Public Culture 13.1 (2001) 65-80.(Emily Apter teaches in the departments of French and comparative literature at the University of California at Los Angeles, where she is also chair of comparative literature)
Crenshaw – Professor UCLA- 1994- Kimberle Williams; Southern California Review of Law and Women’s Studies- Southern California Review of Law and Women’s Studies- FOREWORD: TOWARD A RACE-CONSCIOUS PEDAGOGY IN LEGAL EDUCATION - Fall, 1994- 4 S. Cal. Rev. L. %26 Women’s Stud. 33- lexis
Legal discourse becomes the standard, prevailing, and only sanctioned perspective from which to understand and articulate intellectual descriptions of policy. Standardizing discursive practices act as a method of policing language and language thinking practices. Instead what is needed is a strategy from and against which to mark difference. A method for avoiding universality and univocallity is necessary to preserve different discourse communities or risk discursive genocide.
Francis-2007 Toni P. Francis- (University of South Florida- Scholar Commons- Graduate School Theses and Dissertations USF Graduate School- 6-1-2007- Identity politics: Postcolonial theory and writing program instruction- TF online-)
Potter, Professor of English @ Rhode Island College, 1995¶ Russell A.; Writer for HardC.O.R.E; "Spectacular Vernaculars: Hip-Hop and the Politics of Postmodernism"; Pg: 82-84
Active REAPPROPRIATION of the resolution meaning is the KEY internal link to change DEAD WHITE language to BLACK POLITICALLY ACTIVE exercise in FREEDOM. The reassertion of agency demands that WE SPEAK LANGUAGE instead of letting LANGUAGE SPEAK US
Gates 9 Poetry and Cultural Studies: A Reader. By Maria Damon, Ira Livingston. Henry Louis Gates, Jr., (born September 16, 1950) is an American literary critic, educator, scholar, writer, editor, and public intellectual. He was the first African American to receive the Andrew W. Mellon Foundation Fellowship. He has received numerous honorary degrees and awards for his teaching, research, and development of academic institutions to study black culture. In 2002, Gates was selected to give the Jefferson Lecture, in recognition of his "distinguished intellectual achievement in the humanities."
OUR SIGNIFYING ON THE RESOLUTION IS AN EXAMPLE OF OPACITY. THIS IS STRATEGY OF RESISTANCE TO THE FORCES OF THE ACADEMY AND THE WHITE WORLD THAT DEMAND WE MAKE OURSELVES VISIBLE AND KNOWN TO POWER.
Reeves; Professor of English Literature @ UIC, 2012 Roger William; "Black Western Thought: Toward A Theory Of The Black Citizen-Object" PG: 86-88
The effects of OPACITY are achieved by an ALTERNATIVE discourse that REJECTS the reterritorialization of BUREAUCRATIC and LEGAL language – the language of the PLAN
Brown 5 http://www.forumjournal.org/site/issue/01/william-christopher-brown
William Christopher Brown, Medieval literature, particularly chronicles and medieval intellectuals, Gramsci, Foucault, Marx, postcolonial theory, queer theory, post-structuralism, and Lacanian psychoanalysis. Indiana University